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博客來精選推薦Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era
Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era
Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era 評價
網友滿意度：
不論是在學生時期或開始工作後
我對語言一直都有難以言喻的嚮往~~
自英文的從國中啟蒙
能夠用其他語言的邏輯來思考事情
也是一件很有趣的一件事
跟一般人喜歡用吃吃喝喝出遊玩來打發時間
我更喜歡用書籍安靜的充實自己
所以特別跟大家推薦我目前在看的
Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era
非常好上手、條理分明
對於希望入門別太難的人很適合
而且這最大的成就感就是用新學的
語言查資料了XD
看自己key出之前完全不了解的文字或音
真的有滿滿的感動啊~~
希望推薦的這本書能夠讓大家都能
感受或得知識的喜悅!
一起讀書向前邁進吧!
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Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era
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商品訊息描述:
Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is ‘staged’. Reading Shelley’s dramas as a series of radical stages – historical reenactments and theatrical reproductions – Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain’s theatrical repertoire. It examines each of Shelley’s dramas as a specific radical stage that reformulates the familiar cultural performances of war, revolution, slavery and domestic tyranny. Shelley’s plays invite audiences to step away from these horrors and to imagine their lives as something other than a tragedy or a melodrama where characters are entrapped in cycles of violence or struck blind or silent by fear. Although Shelley’s dramas are few in number they engage a larger cultural project of aesthetic and political reform that constituted a groundswell of activism that took place during the Romantic period.
商品訊息簡述:
- 作者： Van Kooy, Dana
- 原文出版社：Routledge
- 出版日期：2016/04/08
- 語言：英文
Shelley’s Radical Stages- Performance and Cultural Memory in the Post-Napoleonic Era
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